Other callbacks brought up in the finale include: AJ remembering Tony’s “Remember the good times” speech from the Season 1 finale; Tony’s joke about Janice giving blowjobs under the boardwalk from “Soprano Home Movies,” (which resulted in Bobby punching Tony), AJ almost going to military school (until he cried and had a panic attack). Tim Goodman of the San Francisco Chronicle characterized the finale as "[a]n ending befitting genius of Sopranos" and wrote that "Chase managed, with this ending, to be true to reality [...] while also steering clear of trite TV conventions. Journey's lead singer Steve Perry initially refused to let David Chase use the song until he knew the fate of the leading characters and did not give final approval until three days before the episode aired. Perry feared that the song would be remembered as the soundtrack to Tony's demise until Chase assured him that would not be the case. - Edie Falco People get the impression that you're trying to fuck with them and it's not true. The series revolves around the New Jersey-based Italian-American mobster Tony Soprano and the difficulties he faces as he tries to balance the conflicting requirements of his home life and the criminal organization he heads. October 31, 2019, 12:00 am, Sign up for highlights and exclusive content. It was the only category the episode was nominated in. Written by Michael Caleo and directed by John Patterson, it originally aired on March 21, 2004. "The Blue Comet" is the 85th and penultimate episode of the HBO television series The Sopranos, the eighth episode of the second half of the show's sixth season, and the 20th episode of the season overall. [52], In 2011, the finale was ranked #2 on the TV Guide Network special, TV's Most Unforgettable Finales. Chase received compliments for this scene from people who thought it was the real ending. "[45] His family doesn't like the lifestyle they have been forced to adopt. Did the war between New York and New Jersey ever end? Meadow and Patrick Parisi are making wedding plans. It has been suggested that the final scene portrays that, while Tony's life is fraught with fear and danger, which could come from anyone anywhere, and that while Tony has to constantly watch his back and look out for any emerging trouble (he keeps an eye on the diner entrance), life nevertheless goes on and the viewer simply does not get to continue seeing it. February 6, 2020, 12:00 am, by It was the only category the episode was nominated in. [42] He meets FBI Agent Harris and gives him information about Ahmed and Muhammad. [24] Speculation has also linked the jacket of the man to the title of the opening episode of the season, "Members Only", in which Tony is shot, and also as a symbolic reference to the mysterious man's membership of the Mafia. They had cheered him on. Phil is not happy his men haven't been able to eliminate his rival. The use of an abrupt cut to black followed by several seconds of silence led many viewers to initially believe that their cable or DVR had cut out at a crucial moment. Instead, they got Journey, a greasy plate of onion rings and a black screen. [1][21], One argument for the former points to a conversation that Tony had in the midseason premiere episode "Soprano Home Movies" with his brother-in-law Bobby, in which Bobby comments on how suddenly and without sound death can happen in their lives as gangsters: "You probably don't even hear it when it happens, right?" The family consists of an administration and six crews. He meets FBI Agent Harris and gives him information about Ahmed and Muhammad. Why would we entertain people for eight years only to give them the finger? It goes on and on and on. [50] Also in 2009, Stacey Wilson of Film.com named "Made in America" one of the 10 best series finales of all time and wrote: "Crude, rude and no time for emotional B.S., this finale was a delicious end to a show that reveled in the ugliness of humanity." She'll learn to operate in the world in ways Carmela never did. Meadow may not be a pediatrician or even a lawyer, but she's not going to be a housewife like her mother. I knew all that before seeing it, but what I didn't know was how incredibly directed those last few minutes were. Statistics | Seems legitimate, and it does raise concern about the characters audiences root for or against. | With Carlo gone, Tony offers the leadership of the Aprile crew to Paulie. Chase originally wanted the black screen at the end of the episode to last "all the way to the HBO whoosh sound," meaning that no credits would roll at the end of the episode, but did not receive a waiver from the Directors Guild of America to do so. The movie might go on and on and on, but it would never be the same without Silvio. James Gandolfini And I'm not trying to be coy. [sic] Rather than bringing the series to a close, that blackout made The Sopranos live forever." It has been suggested that the final scene portrays that, while Tony's life is fraught with fear and danger, which could come from anyone anywhere, and that while Tony has to constantly watch his back and look out for any emerging trouble (he keeps an eye on the diner entrance), life nevertheless goes on and the viewer simply does not get to continue seeing it. In Season 5 she kinda got more stuff to do again, and she was always at least interesting in her limited screen time, but the entire sixth season her convos with Tony just seemed... a lot less interesting than before. Tony visits the comatose Silvio in the hospital. People have been so fixated on the final scene over the years that everything that happens in the first fifty-five minutes of the episode feels unfairly downplayed. "[47] Actor Matt Servitto said that in the script, the scene continued with the man in the Members Only jacket emerging from the bathroom and starting to walk towards Tony's table. [10] Chase originally wanted the black screen at the end of the episode to last "all the way to the HBO whoosh sound," meaning that no credits would roll at the end of the episode, but did not receive a waiver from the Directors Guild of America to do so.

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